Culture Unstained is a research, engagement and campaigning organisation which aims to end fossil fuel sponsorship of culture. We are a not-for-profit workers’ co-operative founded in October 2016, a member of the Art Not Oil coalition and part of the growing international movement for #FossilFreeCulture.
What we have achieved
Work we have led includes:
– Mobilising highly respected cultural, scientific, academic and political figures to speak out in favour of ending oil sponsorship, such as through this letter to the new British Museum director, published in the Guardian
– ‘BP’s corrupting influence’ report which revealed, through Freedom of Information requests, BP’s inappropriate influence over the cultural institutions it sponsors.
– Releasing evidence suggesting the British Museum broke its own rules in renewing its sponsorship contract with BP.
We are proud to have signed up to the Oil Sponsorship Free commitment.
Jess Worth, Co-director
Jess Worth is a writer, campaigner and performer who has worked with a wide range of NGOs, independent media organisations and grassroots networks. In 2012 she co-founded BP or not BP? and in 2013 co-founded the Art Not Oil coalition. She has been actively involved in challenging oil sponsorship ever since, which has led to the founding of Culture Unstained. She is a regular guest editor of the award-winning international magazine ‘New Internationalist’ and recently produced special issues on ‘Ending the Oil Age’ and the Paris climate talks – which she then covered on the ground for the magazine, reaching an audience of 12 million. In the past she has run campaigns with ActionAid and People & Planet, undertaken research, campaigns and media work for 350.org, Oxfam and SumOfUs, and was co-founder of the UK Tar Sands Network, which works in direct solidarity with Indigenous communities in Canada. She has also advised the government on sustainable development as a Commissioner on the now-defunct Sustainable Development Commission.
Chris Garrard, Co-director
Chris is a composer, researcher and campaigner and holds a doctorate in Music from the University of Oxford, where he also co-directed the MASH Centre for Experimental Music and Performance. He has composed numerous pieces exploring environmental and political themes, such as his chamber opera, ‘The Handmaid’s Tale’, based on Margaret Atwood’s bestselling novel, and his music has been performed by ensembles such as Oxford Philomusica and London Chamber Orchestra. He has also presented research into music and its relationship to photography, the contemporary arts, glaciology and the environment. In 2012, he co-founded Shell Out Sounds, a vocal ensemble that successfully campaigned for the end of Shell’s sponsorship of the Shell Classic International concerts at London’s Southbank Centre and in 2015, was the Music Coordinator for Greenpeace UK’s ‘Requiem for Arctic Ice’, a project involving a month-long series of performances taking place outside Shell’s London HQ during the company’s attempts to drill in the Arctic.