The Royal Shakespeare Company’s ‘BP Tickets’


Our campaign so far


RSC winWe won!! On October the RSC announced that it was going to end its partnership with BP at the end of 2019 – mid-way through its 5-year contract. They said: “Amidst the climate emergency, which we recognise, young people are now saying clearly to us that the BP sponsorship is putting a barrier between them and their wish to engage with the RSC. We cannot ignore that message.” Bravo!

 

Mark RylanceIn September 2019 we supported youth strikers to send a letter to the RSC announcing they will launch a schools boycott of the theatre if it didn’t drop BP. This followed our support for Oscar-winner Sir Mark Rylance, who resigned as an RSC Associate Artist in June 2019, having engaged with the theatre company about his concerns about BP sponsorship over several years.

 

FF £5 tickets logo for web

In 2017, we launched ‘Fossil Free £5 Tickets‘, a crowd-funded alternative to the RSC’s BP £5 ticket scheme for 16-25-year-olds, backed by leading figures in the theatre world including Maxine Peake, Vanessa Redgrave and Andrew Garfield.

 

myth-rehearsal-photos_-2017_2017_photo-by-sarah-ainslie-_c_-rsc_219974.tmb-gal-670We engaged with the RSC over how inappropriate it was to be sponsored by BP while putting on a play about climate denial – Myth directed by Kirsty Housley. We reported on the uncomfortable conversation in Exeunt.

 

 


Quick Facts

BP sponsorship of the Royal Shakespeare Company (RSC)

BP’s sponsorship of the RSC began in 2012 as part of oil giant’s involvement in the ‘cultural Olympiad’ that accompanied the London 2012 Olympics, and ended in December 2019 following a sustained campaign from theatre workers such as Sir Mark Rylance, activist theatre group BP or not BP?, Culture Unstained and, at the end, youth climate strikers.

  • Following a campaign of creative protest by the “actor-vist” theatre group BP or not BP?, the oil company’s direct sponsorship of RSC plays finished at the end of 2012.
  • The RSC replaced Tate in BP’s block sponsorship deal with four cultural institutions in 2016. BP is now the sponsor of the RSC’s discounted ticket scheme for young people which means that 16-25-year-olds currently must buy ‘BP £5 tickets’ to see plays.
  • The RSC has tried to argue that it relies on BP’s sponsorship, but it has actually made a significant surplus in recent years thanks to the ongoing success of Matilda the Musical, meaning the RSC could end its BP deal and continue to provide discounted tickets if it chose to prioritise its ethics.